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Bill evans conversations with myself
Bill evans conversations with myself








bill evans conversations with myself

Produced in a permissive atmosphere with Creed Taylor and engineer Ray Hall in February 1963 and subtitled A Searching Look into the Genius of Bill Evans, the album features a multi-tracked Evans playing only with himself on piano, with each track featuring an improvised second and third piano line, overdubbed atop what Evans laid down first.

bill evans conversations with myself

Then, following collaborative albums with Cannonball Adderley, Eric Dolphy, Shelly Mann, Jim Hall, and others, Evans recorded the concept album Conversations With Myself for Verve Records. The album earned Evans his first Grammy Award in 1964 for. Evans formed a popular trio with Scott LaFaro and Paul Motian, which was cut short after LaFaro tragically died in a car crash, leading to the creation of a new trio with Chuck Israels. Released in 1963, Conversations With Myself is an album by American jazz musician Bill Evans. Orchestra with Special Guest Soloist: Bill Evans Verve 1963 Conversations With Myself: Solo - Grammy Award winner Verve 1963 Theme from 'The V.I.P. Moving to New York in the mid-50s to work with George Russell, Evans's breakthrough came via his membership of Miles Davis's sextet, where his intense and melodic playing helped make Kind of Blue (1959) an outstanding landmark, during a time when he was also contributing to Chet Baker's self-titled LP. Born in Plainfield, New Jersey in 1929, his father's alcoholism caused a disrupted childhood, though his musical talent was spotted early, leading to a scholarship at the Southeastern Louisiana University and the Mannes School of Music, where he majored in composition. The inventive and expressive pianist Bill Evans made significant and lasting impact in the jazz realm during a career that stretched from the late 1950s to the late 1970s. Evans' amazing musical comprehension is given center stage while running through classic jazz sides like "'Round Midnight," "Stella By Starlight" and "Just You, Just Me." "Blue Monk" showcases a muscularity to Evans' playing that he rarely displayed, while the "Love Theme From Spartacus" showcases Evans' signature use of space, time and inference.Alternative Fox presents a reissue of Bill Evans's Conversations With Myself, originally released in 1963. In each song, it is as if three distinctive "sides" or "personalities" of Bill Evans are playing together.each keenly aware of what the others are doing, and perhaps more importantly, will do. Evans work on the ten tunes included here is truly inspired and amazing to behold. Garnering a 5 star review from Downbeat in 1963, and a Grammy, Conversations With Myself was an instant classic for the jazz community. The highlights include "How About You," "The Love Theme from 'Spartacus," "Blue Monk," and "Just You, Just Me."” – All Music Aptly titled, the music on this LP has a surprising amount of spontaneity, with Evans constantly reacting to what he had just recorded, and the results are sometimes haunting. For this Verve project, Conversations with Myself, Bill Evans recorded three piano parts via overdubbing.

bill evans conversations with myself

Recording with Glenn Gould's piano, CD 318, at studio sessions on February 6 and 9, and May 20, 1963, Evans used the then controversial method of overdubbing three different yet corresponding piano tracks for each song.” – Wiki “Conversations with Myself is a 1963 album by American jazz musician Bill Evans.










Bill evans conversations with myself